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The late Stan Lee makes a cameo in this same scene, as his face appears on the cover of a comics magazine in a newsstand by Mrs. ChenвЂ™s store, the symbiote remarks that вЂњresponsibility is for the mediocre.вЂќ Hard not to see that as a shot at Spider-Man and Uncle BenвЂ™s famous proclamation: вЂњWith great power comes great responsibility.вЂќ When Eddie and Venom get stuck in another loversвЂ™ quarrel at Mrs. This is not the case in the Marvel Cinematic Universe - and, as weвЂ™ll get to, in Let There Be CarnageвЂ™s post-credits sequence. Notably, The Daily Bugle is a newspaper with printed editions. The Daily Bugle appeared in the first Venom as well, though there were no pictures of Spider-Man to be found. Jonah Jameson, Peter Parker, and, on occasion, Eddie Brock in the comics. Throughout the movie, we see a few copies of The Daily Bugle, the fictional New York-based newspaper that employs J. Mulligan - who does not play a part in ShriekвЂ™s comics backstory the way he does in the film - is most notable for becoming the host of another symbiote, Toxin, one issue after his debut. Carnage #1, where he was a policeman in New York City, rather than in San Francisco. What Let There Be Carnage and Beverly Hills Cop have in common is a mystery (apart from real and fictional Eddies), but itвЂ™s a fun little shoutout to a beloved filmДetective Patrick Mulligan (Stephen Graham), the cop who wants to use Eddie to help coax clues from the imprisoned Kasady about the locations of his victimsвЂ™ bodies, has comic origins, too. The shirt and jacket combo that Eddie wears for most of the film is identical to Eddie MurphyвЂ™s costume from Beverly Hills Cop, just with the colors tweaked to a more Venom-y palette. The byline is none other than Eddie BrockвЂ™s (Tom Hardy), meaning this is the story he presumably wrote after his interview with Kasady during VenomвЂ™s post-credits scene. While imprisoned in her soundproof cell in the bowels of Ravencroft, Frances gets ahold of a newspaper with an article about her old flame, Kasady, on the front page. Camille Pazzo, who was also a doctor of psychiatry at Ravencroft in the comics. Actress Sian Webber plays the ill-fated Dr.

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The Ravencroft Institute for the Criminally Insane houses all sorts of supervillains and, in Let There Be Carnage, itвЂ™s where Shriek is bound until Cletus (and Carnage) free her. Ravencroft, which first appeared in a 1991 issue of Spectacular Spider-Man, is basically to Spider-Man what Arkham Asylum is to Batman.

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But letвЂ™s be real: The secondary villain of a sequel to a Sony-made movie is not going to be how Disney-owned Marvel Studios officially introduces some of their most popular characters to the main film continuity.

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Still, Let There Be CarnageвЂ™s post-credits scene, in which Eddie Brock (Tom Hardy) and Venom glimpse Spider-Man on a TV screen, implies thereвЂ™s some multiverse madness afoot. (Prior to DisneyвЂ™s acquisition of Fox, the heroes Quicksilver and Scarlet Witch were in a similar boat as mutants who debuted in Avengers comics, meaning both rights-holders could use them in movies.) For the purposes of Venom 2, Shriek can be a mutant but not necessarily a herald of X-Men to come.

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Shriek first appeared in a Spider-Man comic, meaning she falls under SonyвЂ™s Spider-Man license rather than Disney and FoxвЂ™s X-Men one. Does this imply that mutants are now part of SonyвЂ™s Venom continuity? Well, no. ItвЂ™s a loaded word to drop, since sheвЂ™s referring to her super-ability to let out powerful sonic blasts (in the comics, she can also fly and manipulate peopleвЂ™s emotions). The only real change here is the addition of Frances and вЂњHome for BoysвЂќ becoming the more inclusive (and grim) вЂњHome for Unwanted Children.вЂќДЇrances mentions at one point in the film that her вЂњmutationвЂќ is getting worse. Estes Home for Boys after he murdered his grandmother and mother, just like in the movie. In the comics, Cletus spent his childhood in St. Estes Home for Unwanted Children, an orphanage for seemingly dangerous youths. The film begins with a flashback to Cletus Kasady and Frances BarrisonвЂ™s childhoods, when both are locked up inside the halls of the St.

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